Lecture

Fitzgerald - Tender Is the Night

This module introduces Fitzgerald's Tender Is the Night, positioning it within his Hollywood career and narrative techniques. Key discussions include:

  • Influence of film techniques like flashback and montage
  • Superimposition of love and war within the narrative
  • Connections to broader themes of identity and disillusionment

Dimock's analysis reveals how Fitzgerald's cinematic style enhances the complexity of the novel's emotional landscape.


Course Lectures
  • Introduction
    Wai Chee Dimock

    In this introductory module, Professor Dimock introduces the major themes and works of Hemingway, Fitzgerald, and Faulkner, the leading figures of American modernism. The lectures orient their novels through three analytical scales:

    • Global geopolitics
    • Experimental narration
    • Sensory details

    Dimock argues that all three writers share a preoccupation with World War I, which significantly influences their narrative techniques and thematic representations.

  • Hemingway's In Our Time
    Wai Chee Dimock

    In this module, Professor Dimock discusses Hemingway's first book, In Our Time, a collection of vignettes that marked his rise as a modernist writer. The discussion centers on:

    • The structure and publication history of In Our Time
    • A cluster of vignettes illustrating themes of pain and violence
    • Theoretical perspectives from critics like Elaine Scarry and Susan Sontag

    Through a close reading of key vignettes, Dimock highlights how Hemingway's style addresses communal suffering and inter-ethnic conflict.

  • This continuation of Hemingway's In Our Time delves deeper into four additional clusters of chapters. Professor Dimock emphasizes:

    • Hemingway's expressivity and emotional resilience
    • The interplay of tragedy and comedy in the narrative
    • Close readings of selected chapters and their thematic implications

    Dimock argues that Hemingway's blend of genres creates a distinctive humor that oscillates between irony and farce, reflecting the complexity of human emotion.

  • This module examines Fitzgerald's iconic novel, The Great Gatsby, through the lens of experimental counter-realism. Key discussions include:

    • Fitzgerald's unique narrative style termed "vagueness" by editor Maxwell Perkins
    • The animation of inanimate objects and their emotional resonance
    • Critical perspectives on race within the narrative

    Dimock engages with how Fitzgerald's stylistic choices contribute to the novel's thematic depth and its portrayal of societal issues.

  • Continuing the exploration of The Great Gatsby, this module focuses on the auditory-visual linkages among the novel's characters. Topics include:

    • Implications of auditory and visual fields in character relationships
    • Thematic concerns of accountability, illusion, and disillusion
    • Character studies of Daisy, Jordan Baker, Gatsby, and Nick Carraway

    Professor Dimock illustrates how these connections inform the overarching narrative and character arcs within the context of the Jazz Age.

  • This module introduces Faulkner's The Sound and the Fury, focusing on its origins and narrative techniques. Professor Dimock discusses:

    • Influences from literature, including Shakespeare’s Macbeth
    • The unique perspective of Benjy, a mentally impaired character
    • Faulkner’s method of blending past and present through memory

    A close reading reveals how Faulkner uses sensory details to explore themes of innocence and loss within the context of family decline.

  • Continuing the analysis of The Sound and the Fury, this module juxtaposes Quentin's narrative against Benjy's viewpoint. Key themes include:

    • Stylistic parallels between different narrative sections
    • The exploration of racial themes and interactions
    • Quentin's tragic response to Caddy's loss of innocence

    Dimock's readings highlight the complexity of familial bonds and the burden of loss, culminating in Quentin's tragic fate.

  • This module focuses on Jason's section of The Sound and the Fury, emphasizing themes of rage and loss of community. Professor Dimock discusses:

    • Jason’s anger towards family and broader society
    • The impact of modernity on personal relationships
    • Faulkner’s nuanced sympathy for Jason's plight

    Dimock connects Jason's experiences to broader themes of alienation and the disintegration of social bonds, culminating in a poignant critique of modern existence.

  • This module concludes the analysis of The Sound and the Fury by examining the omniscient narrator's perspective. Key focuses include:

    • The role of Luster and Dilsey in the narrative
    • Thematic threads of redemption and community
    • Connections between personal and collective histories

    Dimock's readings illustrate how Faulkner weaves together themes of race, memory, and redemption through the final interactions of the characters.

  • In this module, Professor Dimock introduces Hemingway's novel To Have and Have Not, exploring its origins and thematic structure. Key discussions include:

    • The classification of characters by race, class, and sexuality
    • Thematic parallels among diverse character types
    • Hemingway's narrative shifts and their implications

    This exploration illuminates how Hemingway navigates the complexities of identity and human experience through his characters' interactions.

  • This module continues the examination of To Have and Have Not, focusing on the socio-political context of Cuba during the Great Depression. Professor Dimock discusses:

    • The protagonist Harry Morgan's complex identity as a "Have Not"
    • Interactions between personal and political spheres
    • The ironic nature of Harry's character as a "mediated Have"

    Dimock's analysis reveals the nuanced relationship between personal happiness and socio-political struggles within the narrative.

  • This module examines four of Fitzgerald's notable short stories: The Rich Boy, Babylon Revisited, The Diamond as Big as the Ritz, and Bernice Bobs Her Hair. Professor Dimock analyzes:

    • Social types depicted in each story
    • The dramatic tensions between protagonists and their social ideals
    • How these narratives reflect social realities and identity

    The analysis unveils Fitzgerald's exploration of social conformity and deviation as central themes across these works.

  • Faulkner -- As I Lay Dying
    Wai Chee Dimock

    In this module, Professor Dimock delves into Faulkner's As I Lay Dying, situating it within the context of the Great Depression in the South. Key focuses include:

    • The narrative techniques employed in the novel
    • Bakhtin's theories on social dialects and their implications
    • Secrets revealed through multiple narrators

    Dimock's analysis emphasizes the complexity of familial relationships and social commentary throughout Faulkner's work.

  • This module continues the exploration of As I Lay Dying, focusing on the interplay of epic conventions and character identities. Professor Dimock discusses:

    • The relationship between minor characters and animals
    • Jewel's connection to his heritage and family dynamics
    • The epic themes of resurrection and narrative secrecy

    Dimock's analysis reveals how Faulkner's characters navigate complex identities while encapsulating broader themes of human experience.

  • This module concludes the discussion of As I Lay Dying, analyzing its generic form and themes of tragedy and comedy. Key elements include:

    • The relationships among family members and their evolving identities
    • Comparative tragedy and comedy within the narrative
    • Reconstitution of kinship and social dynamics

    Dimock's analysis illustrates how Faulkner navigates the complexities of human relationships and the notion of belonging throughout the novel.

  • In this module, Professor Dimock introduces Hemingway's For Whom the Bell Tolls, focusing on its historical context during the Spanish Civil War. Key themes include:

    • The concept of the "involuntary foreigner" embodied by protagonist Robert Jordan
    • The impact of technology on war and personal interactions
    • The struggle for belonging amidst political turmoil

    Dimock’s analysis sets the stage for understanding the complex relationships formed during wartime.

  • This module continues the analysis of For Whom the Bell Tolls, focusing on Robert Jordan's reflections on distant homes versus the present realities of war. Key topics include:

    • Contrasts between Jordan's memories of America and his current experiences
    • Ethnic and racial tensions highlighted within the narrative
    • The irony of the American Civil War as a historical distant home

    Dimock reveals how these contrasts inform Jordan's identity and understanding of self within the conflict.

  • This module focuses on the themes of dying and survival in Hemingway's For Whom the Bell Tolls. Key discussions include:

    • Aesthetic and ethical implications of violence and death
    • Thematic dimensions of life and death represented through various characters
    • Jordan's reflections on cowardice and heroism

    Dimock's analysis highlights the moral complexities within the narrative, providing a nuanced understanding of the characters' struggles.

  • In this final module, Professor Dimock concludes the discussion of For Whom the Bell Tolls by examining the narrative of dispossession and potential redemption. Key focuses include:

    • The impact of trauma and betrayal within the narrative
    • Jordan's journey between loss and reclamation
    • Broader implications for understanding personal and collective struggles

    Dimock emphasizes the significance of these themes in shaping Hemingway's narrative and its resonance in contemporary contexts.

  • This module introduces Fitzgerald's Tender Is the Night, positioning it within his Hollywood career and narrative techniques. Key discussions include:

    • Influence of film techniques like flashback and montage
    • Superimposition of love and war within the narrative
    • Connections to broader themes of identity and disillusionment

    Dimock's analysis reveals how Fitzgerald's cinematic style enhances the complexity of the novel's emotional landscape.

  • This module concludes the analysis of Tender Is the Night by examining Zelda Fitzgerald's influence on the character of Nicole Diver. Key themes include:

    • Biographical connections to Fitzgerald’s own life and struggles
    • Narrative techniques that emphasize Dick Diver's dispossession
    • Race and class dynamics depicted in the novel

    Dimock's insights illuminate how personal and societal issues intertwine in Fitzgerald’s narrative, culminating in thematic resolutions.

  • Faulkner, Light in August
    Wai Chee Dimock

    In this module, Professor Dimock introduces Faulkner's Light in August, emphasizing Lena's character and her journey. Key focuses include:

    • Updating the classic story of the unwed mother
    • Comedy infused within the epic road narrative
    • The kindness of strangers as a central theme

    Dimock's analysis highlights Faulkner's stylistic choices and their deeper implications regarding community and human connection.

  • This module continues the exploration of Light in August, focusing on the dual narratives of Lena and Joe Christmas. Key themes include:

    • The kindness of strangers turning to malice
    • Joanna Burden's complex character and moral challenges
    • Interconnectedness of Lena's and Joe's journeys

    Dimock's insights reveal how Faulkner navigates the nuanced dynamics of community and individual agency throughout the narrative.

  • This module centers on the unresolved racial issues in Faulkner's Light in August. Professor Dimock examines:

    • The varied implications of the term "nigger" throughout the narrative
    • Reflections on racial identities and societal perceptions
    • The interplay of language and social commentary within the text

    Dimock's analysis provides a critical lens on race and its complexities in Faulkner's work.

  • This concluding module of Faulkner's Light in August focuses on predestination and agency. Key discussions include:

    • Joe Christmas's tragic self-identification and agency
    • The interplay between tragedy and comedy in the narrative
    • Hightower's redemptive role and Lena's hopeful courtship

    Dimock’s insights reveal how Faulkner intertwines personal and collective struggles within the context of racial dynamics and social relationships.